The Immaculate Conception
Giovanni Battista Tiepolo, Oil on Canvas, 1767-69
Museo del
Prado, Madrid
Giovanni Battista
Tiepolo is the undisputed master of the sumptuous 18th century style
known as Rococo. In the hands of lesser artists these works are simply too much
for our modern eyes: too many colors, too many clouds, and certainly too many
little angels. Tiepolo paints in a way
that is simultaneously exuberant and restrained; his subdued color palette and
the elegance of his composition achieve a majesty suitable for his exalted subject.
The grandeur of Mary’s figure derives from his use of a low viewpoint combined
with a vertical emphasis, and the great size of the canvas (nearly 6’x8’)
amplifies this grandeur. Tiepolo’s challenge was to paint Mary’s immaculate
soul in bodily form; and the elegant turn of her body, her dynamic stillness
amidst the bustling angels, and, above
all, the profound serenity of her face beautifully “embody” the mystery of a
woman who is “full of grace” from the first moment of her life.
Tiepolo’s painting precedes the definition of the dogma of
the Immaculate Conception by nearly a century, but his painting captures what
the faithful have believed about Mary through the ages and illustrates what
Catechism teaches about the "splendor” of Mary’s “entirely unique
holiness":
To become the mother of the Savior, Mary "was enriched
by God with gifts appropriate to such a role." The angel Gabriel at the
moment of the annunciation salutes her as "full of grace". In fact,
in order for Mary to be able to give the free assent of her faith to the
announcement of her vocation, it was necessary that she be wholly borne by
God's grace. (490)
The "splendor of an entirely unique holiness" by
which Mary is "enriched from the first instant of her conception"
comes wholly from Christ: she is "redeemed, in a more exalted fashion, by
reason of the merits of her Son". The Father blessed Mary more than any
other created person "in Christ with every spiritual blessing in the
heavenly places" and chose her "in Christ before the foundation of
the world, to be holy and blameless before him in love". (492)
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