Madonna della Strada
Unknown Artist, Fresco, late 13th century,
Church of the
Gesu, Rome
“Behold, I make all things new.” Revelation 21:5
The last of our Roman Madonnas appears quite contemporary in
its color scheme and in the direct way in which Jesus and Mary regard the
viewer, but it is nearly a thousand years old. For many centuries it has been
watched over by the Jesuits in their mother church in Rome called the “Gesu.”
In 1541, Pope Paul III entrusted a small church to Ignatius
and his small company of priests. The church was named for the ancient icon
venerated within it called the Madonna della Strada – “Our Lady of the Way.”
Ignatius developed a great devotion to the image, and encouraged his brothers
to seek Mary’s intercession as they discerned the “way” in which to serve her son.
Before his death in 1556, Ignatius instructed that the icon be preserved in the
new church being built on the site of that original chapel. When the Gesu was
dedicated in 1584, Our Lady of the Way was enshrined between the altar of St.
Ignatius and the main altar, dedicated to the Holy Name of Jesus. The placement
emphasizes Mary’s role as intermediary and intercessor, and for over 400 years
pilgrims found their own way to the icon.
Over the centuries dirt and grime obscured the image. Faces
became frozen behind the residue of discolored varnish. Layers of paint were
added and then “retouched.” Mary’s hands disappeared beneath the flat folds of
a heavy cloak. Pious devotees “enriched”
the icon by the application of gold crowns, sparkling jewels, and diamond
earrings. It was as if the icon that had inspired St. Ignatius was lost behind
the loving attention shown by the faithful.
Before restoration in 2006
Early in the new millennium, the Jesuits began a restoration
of the image. Additions were stripped away. Dirt and resins were painstakingly
removed, and the result was a revelation. New colors emerged from the beneath
the murky over-painting. The figures emerged fresh and lively, with healthy
complexions and more substantial, three-dimensional bodies. Now a rosy-cheeked Jesus raises his hand in
blessing while his mother holds him with one arm and reaches out towards her
supplicants with the other. Removing the
accretions of the centuries renewed the vitality of the ancient image, giving
it a power that engages the contemporary eye.
St. Ignatius encouraged what he called the “contemplative
imagination,” in the spiritual life, and we can learn a lesson from the restoration
of Our Lady of the Way. Is it time for a
restoration of our spiritual life? What needs to be cleansed or stripped away?
What additions and enrichments have actually diminished our spiritual power? The
peeling away may be painful, but we can be assured that Jesus and Mary are
waiting to be revealed, waiting to show us the way to renewal.
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